The Safari 4 Beta, Titles, and Ownership Of The Close Button

Safari 4’s public beta has a lot of problems, and while it is “beta” software, I have a feeling that many of it’s biggest usability problems are set in stone. For a company as large as Apple, who releases software how Apple releases software, the “Beta” label means that “we’re pretty close to done, here”. They aren’t going to change the UI very much. Stuff like the awful “tabs-in-the-titlebar” is most likely not going to go away. There are some big issues, and to me, these are the biggest:

At A Glance, The User Cannot Easily Find The Title Of The Page They Are Currently Reading

In versions of Safari previous to 4, the tabs were organized in the (thus-far) standard way: below the menu and title bars, like this:

safari_old1

While not optimal, it works. Like any other application, the user can simply glance at the top of the current window to see the title of the page/document they are currently browsing. For comparison, here is a screen shot from Pages, a part of Apple’s iWork suite:

pages

The current document’s name is presented in the top, middle, of the window. This is, as far as I’m concerned, Good. Some might see this as a bad comparison. Pages does not group disparate documents into a single window, like Safari does. That is beside the point, here. The point is that this is what users are used to, because it is how it works in nearly every other application.

Safari 4’s new tabs create this terrifying labyrinth, similar to Google Chrome:

safari_new

Since the tabs are organized not by any set criteria, but simply by the order they were opened in (or a later, user-defined order, which may be just as informal), the user must now distinguish between not only the two type of tabs (the currently active one and the inactive ones) but having done so, has to hope that the title fits within the tiny space alloted to each given page, active and not. You can see how this gets a little crazy if you’ve got more than 2 or 3 tabs open, or Cthulhu save you, multiple Safari 4 windows open. This is Bad. It’s so bad, in fact, that I hope it’s just some kind of placeholder.

The Window Controls Look As Though They “Belong” To The Left-Most Tab In Any Given Window

Again, Safari 3, this time the top left of the window:

safari_old_topleft

The window controls (Close, Minimize, Maximize), while they are integrated with the title bar, are clearly part of the window itself, and not any one tab. Now let’s have a look at Safari 4 again, this time the top left part of the window, with the new-style tabs:

safari_new_topleft

What is the average user meant to make of this? There are now, effectively, two “close” buttons in close proximity to each other, neither of which is separated from the left-most tab. Their icons are different, but not so different that one could easily tell which is which without knowing a whole lot more about the Mac OS than any random user does.

There is plenty more in the Beta that is worrisome, but these are the two big ones, for me. I hope that by making my issues public that it will push Apple to re-consider some of the planned changes for Safari 4’s release, though I doubt it very much.

This Isn’t Pop: When Video Game Music Inspired By Popular Music Is A Little Too Inspired

This is a post carried-over from the blog archives on philnelson.name, my previous site.

Video games have a long and storied history of borrowing heavily from popular music. This post will be updated with samples as I get them suggested to me, which you can do using the information above this post. In each case I have used less than 20 seconds of the songs in question, which I believe to be covered under fair use. If you want to hear the whole song, buy it. I will not provide you with any of them, so don’t ask.

Mega Man X2’s Neon Tiger Stage Music .vs. Guns n’ Roses’ “My Michelle”

Here is the audio file for comparison. First you will hear a snippet from Neon Tiger’s theme, then a small pause, then a snippet from My Michelle. You can, of course, purchase the Guns n’ Roses album Appetite for Destruction from Amazon.com. This, and the following two suggestions, come from this blog post.

Mega Man 1’s ElecMan Theme .vs. Journey’s “Faithfully”

Here is the audio file for comparison. Again, you will hear ElecMan’s music first, then a pause, then Journey. You can (and I encourage you to) purchase Journey’s Greatest Hits album from Amazon.

Mega Man 2’s Flash Man Theme .vs. Chicago’s “I’m A Man”

Here is the audio file for comparison. You can purchase Chicago’s Greatest Hits on Amazon. It’s a good investment.

Robo’s Theme (Chrono Trigger) .vs. Rick Astley’s “Never Gonna Give You Up”

Here is the audio file for comparison. Yes, it was only a matter of time before this descended into a Rick Roll. This one is a bit more tenuous, but it’s definitely noticeable. I would say it’s more of a case of borrowing than the previous tracks, which are a bit more blatant. I heartily suggest you purchase Chrono Trigger if you have never played it. It’s my favorite RPG of all time. The composer of the piece, Yasunori Mitsuda, also did the soundtrack for Chrono Cross, which is one of the most lush and beautiful game sound tracks ever.

Teenage Mutant Ninja Turtles (NES) Stage 5 Overworld .vs. The Beatles’ “Come Together”

Here is the audio file for comparison. This is another fairly blatant one, though it’s got some nice touches, and is part of one of the great Konami NES soundtracks.

DOOM (1 & 2) .vs. Various Metal Bands

Here’s a youtube video comparing various songs from the smash-hit first person shooter DOOM to various songs from the likes of Metallica, Pantera, et. al.

Wild ARMs Overworld Theme .vs. Ennio Morricone’s “The Ecstasy of Gold”

Here is the audio file for comparison. This one is maybe the most blatant thus far, especially considering the desert context. Morricone wrote the scores for many great westerns, most famously The Good, The Bad, and The Ugly.

California Games (NES) Title Theme .vs. Louie, Louie

Here is the audio file for comparison. I have a feeling that the basic structure of Louie, Louie is subject of a lot of game homage. Louie, Louie is a most infamous song, with the version done by The Kingsmen making them the subject of an FBI investigation.